The Fabric of Democracy: Propaganda Textiles from the French Revolution to Brexit features around 150 artworks from around the world. It was curated by dress and textile historian Amber Butchart.
The exhibition explores how fabric designers and manufacturers have responded to political upheaval and how textiles have been used as a tool of the state across the political spectrum, from communism to fascism.
Exhibits include French Toile de Jouy, Japanese robes from the Asia-Pacific war and Cultural Revolution-era Chinese fabrics rarely exhibited in the UK.
The exhibition is an extension of Amber’s PhD research, which focuses on propaganda textiles between 1946 and 1970.
“In the Western world, textiles have historically been classified as ‘women’s work’, occupying the private domestic sphere in opposition to public work such as painting or sculpture. However, many textiles show that the home can be a politicised space, and that fabrics - a historically ‘feminised’ artform - can contribute to and shape political debates,” Amber said.
“In fact, textiles have been used to spread political messages for centuries.”
The industrial age revolutionised the textile industry and print technologies, making it easier, faster and cheaper to create elaborate imagery on cloth. This ‘democratisation’ of the industry allowed governments, regimes and corporations to harness the power of textiles to communicate, from wartime slogans to revolutionary ideals.