Professor Jeffrey Geiger
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Email
j.geiger@essex.ac.uk -
Telephone
+44 (0) 1206 872623
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Location
5NW.5.11, Colchester Campus
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Academic support hours
on leave spring term 2018
Profile
Biography
Jeffrey Geiger's background ranges from research into film and literature to filmmaking, with a focus on editing. After completing an MA and PhD at UCLA he came to Essex, serving as the University's first Director of Film Studies and establishing the Centre for Film and Screen Media in 2001. He has worked internationally, including teaching at Malta and UCLA, and has offered seminars at Salerno, Granada, Porto, Thessaloniki, and numerous other universities. Leadership roles at Essex have included Director of the Centre for Film and Screen Media, Director of the American Studies Centre, Graduate Director, Research seminars co-ordinator, MA Course Director, and Acting Head of Department. He is currently co-director of the new MA Documentary Film. He is a member of the Essex Human Rights Centre, The Centre for Intimate and Sexual Citizenship, and the Centre for Film and Screen Media. Research has focused on documentary, postcolonial cinemas, comparative media, queer cinema, island studies, and Oceania and the Pacific. Books include American Documentary Film: Projecting the Nation (2011, Theatre Library Association Book Award finalist); Facing the Pacific: Polynesia and the U.S. Imperial Imagination (2007); Film Analysis: A Norton Reader (with R. L. Rutsky, 2nd ed, 2013); and Cinematicity in Media History (2013, with Karin Littau). The latter developed from a special issue of Comparative Critical Studies, 'Cinematicity', based on an international conference hosted at Essex. Articles have appeared in journals such as PMLA, Studies in Documentary Film, Third Text, African American Review, ZAA, Cinema Journal, New Formations, and Film International, with further contributions to book collections, encyclopedias, and periodicals such as The Times Literary Supplement and The Guardian. Recent publications include chapters on New Nigerian cinema in The Routledge Companion to World Cinema (Remapping World Cinema), colour film and Pacific tourism in Discourses of Imperialism in the Pacific (Routledge), and 'Visualizing Exploration' in A Cultural History of Exploration (Bloomsbury). Visiting Professor, UCLA, 2024 British Academy / Leverhulme Trust Senior Research Fellowship, 2021-22 Member of professional organizations: NECS, BAAS, SCMS, and BAFTSS Fellow of the Royal Anthropological Institute Ph.D. supervision areas include: film and media (including practice as research, PaR); documentary; US cinema (especially studies of ethnicity and/or gender); transmedia; colour film; Oceania and visual cultures.
Qualifications
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BA Cornell University,
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MA University of California, Los Angeles,
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PhD University of California Los Angeles,
Appointments
University of Essex
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Director of the Centre for Film and Screen Media, Literature, Film, and Theatre Studies, University of Essex (1/1/2013 - 30/9/2020)
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Director of Graduate Studies, Department of Literature, Film, and Theatre Studies, University of Essex (1/1/2010 - 1/1/2013)
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Director of the American Studies Centre, University of Essex (1/1/2004 - 1/1/2008)
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Director of the Centre for Film Studies, University of Essex (1/1/2001 - 30/8/2003)
Other academic
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External Examiner, MA Film Studies, University of Malta (30/8/2018 - present)
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External Examiner, Film Studies, University of Surrey (30/8/2015 - 30/8/2018)
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External Examiner, Film, Media, and Cultural Studies, Birkbeck, University of London (30/8/2011 - 30/8/2016)
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Visiting Professor, Film, Television, and Digital Media, University of California, Los Angeles (1/1/2024 - 1/4/2024)
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Executive Committee, New Zealand Studies Association (NZSA) (1/4/2021 - present)
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Editorial Board, Intellect, Journal of New Zealand and Pacific Studies (1/4/2021 - present)
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Advisory Editorial Board, Routledge, Remapping World Cinemas (1/4/2017 - present)
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Visiting Scholar, English Department, University of Rochester (NY) (1/9/2003 - 30/5/2004)
Research and professional activities
Research interests
documentary
media practice and theory (creative practice / PaR)
amateur cinema
gender and ethnicity in US literature, film, television
island representations
Oceania and the Pacific in film and photography
postcolonial cinemas
Current research
aerial cinematics and 'world picture'
colour and the travelogue
Conferences and presentations
Travel as Displacement: Adelaide Pearson and Amateur Colour Expression
Invited presentation, BAAFTS Colour Special Interest Group, Colour Special Interest Group, 9/3/2023
Colour Travelogues and Amateur Archives
Invited presentation, public talk, Imsida, Malta, 30/9/2022
Colour and the Amateur Film Archive
Invited presentation, public talk, Manchester, United Kingdom, 1/8/2022
Marketing Empire: Color and the Pacific Travelogue
Keynote presentation, New Zealand Studies Association, Marseille, France, 1/7/2022
Color Consciousness': Kodachrome Travelogues
Visible Evidence 27 (VE27), Frankfurt am Main, Germany, 1/12/2021
Color in Conflict: Kodachrome and War in the Pacific
Invited presentation, Pacific History Association, Pacific History Association, Suva, Fiji, 1/11/2021
Kodachrome Travels: Affective Mobilities of Color Realism
NECS, European Network for Cinema and Media Studies, Palermo, Italy, 1/6/2021
A Conversation with Laura Mulvey
Open Research Seminars Series, Colchester, United Kingdom, 1/5/2021
Gender and Ethnicity in US Documentary: New Queer Cinema
Invited presentation, Basel, Switzerland, 1/5/2021
Direct Cinema and its Legacies
Invited presentation, American Studies, Stuttgart, Germany, 16/5/2019
Adrenaline Views: Cinema, Aviation and the Aerial Subject
Invited presentation, Public Lecture, Imsida, Malta, 3/5/2019
New Queer Documentary and the Sensory Turn
Invited presentation, Research Seminar, Centre for Critical and Creative Cultures, Dundee, United Kingdom, 31/1/2019
Photography, the Moving Image, and Questions of Cosmopolitanism in the Pacific
Invited presentation, Pacific History Association Conference, Pacific History Association, Cambridge, United Kingdom, 5/12/2018
Intimate Media: Engaging Inequality, the Body, and Gesture in Queer Documentary
Keynote presentation, Visual Culture and Inequality, 20/7/2017
Convolutions of Colour Media
Invited presentation, Research Masterclass, Film Studies, Imsida, Malta, 4/5/2017
Interrogating Comparative Media Historiographies
Invited presentation, Society for Cinema and Media Studies Conference, Chicago, United States, 24/3/2017
Kodachrome Travels: How colour changed the ways we see the world
Invited presentation, Essex Book Festival, Essex Book Festival, Colchester, United Kingdom, 7/3/2016
'Race’ at the Margins of Representation
Invited presentation, Science and Technology Film Festival, Olomouc, Czechia, 15/4/2015
Teaching and supervision
Current teaching responsibilities
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Approaches to Film and Media (LT121)
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American Film Authors (LT347)
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Independent Screenplay Project (LT410)
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Independent Film Project (LT833)
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Independent Project in Film Studies (LT834)
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Documentary Filmmaking 1: Foundations (LT886)
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Documentary and the Avant-garde: Film, Video, Digital (LT930)
Previous supervision
Degree subject: Film Studies (Creative Practice)
Degree type: Doctor of Philosophy
Awarded date: 1/6/2023
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 1/6/2022
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 15/4/2019
Degree subject: Literature
Degree type: Doctor of Philosophy
Awarded date: 10/11/2017
Degree subject: Literature
Degree type: Doctor of Philosophy
Awarded date: 18/5/2016
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 18/5/2015
Degree subject: Film Studies
Degree type: Doctor of Philosophy
Awarded date: 27/8/2014
Publications
Journal articles (13)
Geiger, J., (2020). Intimate Media: New Queer Documentary and the Sensory Turn. Studies in Documentary Film. 14 (3), 177-201
Geiger, J., (2020). 'Exquisite Wonder': Colour Film, Realism, and the Yankee Voyage, 1936-38. Journal of New Zealand and Pacific Studies. 8 (1), 57-79
Geiger, J., (2020). Meredith McCarroll, Unwhite: Appalachia, Race, and Film (Athens: University of Georgia Press, 2018). American Literary History (XXIII), 1-4
Geiger, J., (2012). Nollywood Style: Nigerian movies and 'shifting perceptions of worth'. Film International. 10 (6), 58-72
Geiger, J., (2011). Documentary: Negotiating the Public Sphere. New Formations: A Journal of Culture, Theory, Politics. 74 (Winter), 144-149
Geiger, J. and Littau, K., (2009). Guest Editors' Introduction to Comparative Critical Studies (special issue: Cinematicity). Comparative Critical Studies. 6 (3), 287-295
Geiger, J., (2008). Taking Aim: New Documentary and War. Zeitschrift fur Anglistik und Amerikanistik (ZAA). 56 (2), 153-173
Geiger, J., (2004). Special Relationships: British Higher Education and the Global Marketplace. PMLA: Publications of the Modern Language Association. 119 (1), 58-68
Geiger, J., (2004). Imagined Islands: White Shadows in the South Seas and Cultural Ambivalence. Cinema Journal. 41 (3), 98-121
Geiger, J., (2001). Re-assessing the Past and Future of Feminist Film Theory. Sexualities. 4 (2), 246-251
Geiger, JA., (1999). America on film: Hollywood and American history. JOURNAL OF AMERICAN STUDIES. 33, 166-167
Geiger, J., (1999). Unmaking the Male Body: The Politics of Masculinity in The Long Dream. African American Review. 33 (2), 197-207
Geiger, J., (1998). 'The Camera and Man': Colonialism, Masculinity, and Documentary Fiction. Third Text. 12 (44), 3-21
Books (5)
Littau, K. and Geiger, J., (2013). Cinematicity in media history. Edinburgh University Press. 9780748676125
Geiger, J. and Rutsky, RL., (2013). Film Analysis: A Norton Reader (Second edition). W W Norton. 9780393923247
Geiger, J., (2011). American Documentary Film: Projecting the Nation. Edinburgh University Press/Oxford University Press. 9780748621477
Geiger, J. and Littau, K., (2009). Cinematicity (Special Issue of Comparative Critical Studies). Edinburgh University Press. 001750-0109
Geiger, J., (2007). Facing the Pacific: Polynesia and the U.S. imperial imagination. University of Hawaii Press. 9780824830663
Book chapters (12)
Geiger, J., (2024). Visualizing Exploration. In: A Cultural History of Exploration - In the Modern Age. Editors: Thomas, M., . Bloomsbury. 155- 180. 978-1-3501-0100-5
Geiger, J., (2022). Desegregating the Screen: Oscar Micheaux and the Rise of Activist Cinema. In: D. W. Griffith's The Birth of a Nation Art, culture and ethics in black and white. Editors: Barrett, J., Field, D. and Scott, I., . Manchester University Press. 978-1-5261-6445-2
Geiger, J., (2020). Cinematic Gestures: Flows and Disruptions on the Yankee Voyage, 1936-38. In: Shifting Grounds: Cultural Tectonics along the Pacific Rim. Editors: Ernst, J. and Glase, B., . Winter Verlag
Geiger, J., (2017). Media Refashioning: From Nollywood to New Nollywood. In: The Routledge Companion to World Cinema. Editors: Stone, R., Cooke, P., Dennison, S. and Marlow-Mann, A., . Routledge. 59- 72. 9781138918801
Geiger, J., (2015). United States Expansionism and the Pacific. In: The Palgrave Encyclopedia of Imperialism and Anti-Imperialism. Editors: Ness, I. and Cope, Z., . Palgrave Macmillan. 446- 454. 978-1-349-57690-6
Geiger, J., (2015). Documentary, Memory and the Iraq Syndrome. In: Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. Editors: Rellstab, DH. and Schlote, C., . Routledge. 47- 63. 9780367868635
Geiger, J. and Littau, K., (2013). Introduction: Cinematicity and comparative media. In: Cinematicity in Media History. Editors: Geiger, J. and Littau, K., . Edinburgh University Press. 1- 18. 9780748676149
Geiger, J., (2013). Making America Global: Cinematicity and the Aerial View. In: Cinematicity in Media History. Editors: Geiger, J. and Littau, K., . Edinburgh University Press. 133- 156. 9780748676118
Geiger, J., (2013). Nanook of the North (1922): Fiction, Truth, and the Documentary Contract.. In: Film Analysis: A Norton Reader (Second edition). Editors: Geiger, J. and Rutsky, RL., . W W Norton. 94- 114. 9780393923247
Geiger, J., (2011). Subaltern Looks and the Imperial Gaze: Charles Warren Stoddard's South Sea Idyls. In: Indiscretions. At the Intersection of Queer and Postcolonial Theory.. Editors: Aydemir, M., . Rodopi. 33- 51. 9789042031876
Geiger, J., (2005). 'The game behind the game'?: Spatial Politics and Spike Lee's He Got Game. In: Race and Ethnicity in New York City. Editors: Krase, J. and Hutchison, R., . Emerald. 83- 105. 9780762311491
Geiger, J., (2000). Sightseeing: 'Voyage au Congo' and Ethnographic Spectacle. In: Andre Gide?s Politics: Rebellion and Ambivalence. Editors: Conner, T., . Palgrave. 111- 130. 9780333915370
Thesis dissertation (1)
Geiger, JA., America's White Shadows: Modernist Ethnography and the South Pacific
Other (1)
Geiger, J., (2021).AUKUS: Recalling Legacies of Anglo-Saxonism and Muffling the Voices of Island Nations. E-International Relations(September 25 2021),E-International Relations
Grants and funding
2020
Kodachrome Travels: Colour Film, Realism, and the �American Pacific� Imagination
British Academy
Contact
Academic support hours:
on leave spring term 2018