People

Professor Diana Bullen Presciutti

Professor
School of Philosophical, Historical, and Interdisciplinary Studies
Professor Diana Bullen Presciutti

Profile

Biography

My primary research addresses the visual culture of social problems, popular piety, and institutional charity in late medieval and early modern Italy (1350-1650), focusing on devotional practices, urban and extra-urban ritual, civic ideology, and intersections of class, gender, and cultural production. More broadly, my research interests include: visual constructions of individual and institutional identity; the interrelated operations of visual, oral, and textual rhetorics; the transmission, evolution, and re-deployment of representational conventions across time and space; and relationships between institutional ideologies, built and natural environments, ritual practices, and popular culture. At the heart of all these concerns is an understanding of images as active agents and a commitment to analyzing the processes through which visual culture shapes perceptions. Much of my research to date has been concerned with the relationship between visual culture and social problems, a variation on the ‘social history of art’ that combines sociological methods with very close attention to the distinctive operations of the visual. My earlier work centered on charitable institutions—hospitals, confraternities—whereas more recently I have shifted focus to consider intersections between gender, sexuality, and class in the context of popular piety. I have authored two monographs—Visual Cultures of Foundling Care in Renaissance Italy (Ashgate, 2015) and Saints, Miracles, and Social Problems in Italian Renaissance Art (Cambridge University Press, 2023)—and edited an interdisciplinary anthology—Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City (Brill, 2017). Saints, Miracles, and Social Problems won the 2023 American Association of Italian Studies Book Prize in the Visual Studies, Film and Media category. I have also published research articles in key journals including Art History, the Journal of Medieval and Early Modern Studies, and Renaissance Quarterly, along with a number of chapters in edited collections. My research has been supported by fellowships from the American Council of Learned Societies, the Andrew W. Mellon Foundation, and Villa I Tatti: The Harvard University Center for Italian Renaissance Studies, among others. I am currently at work on several research projects. I retain a focus on the visual culture of miracles in Printing the Miraculous: Gender, Popular Religion, and Everyday Life in Renaissance Italy (short book, under contract with Cambridge University Press). Through a series of comparative case studies of miracle stories that focus on gender, sexuality, and domestic life, Printing the Miraculous elucidates how the woodcuts that accompanied these widely diffused tales shaped popular conceptions of the ways in which divine and demonic forces influenced human relations in late fifteenth-century Italy. My next major project centers on the interplay between everyday devotional practices, roadside chapels, and the diverse topography of the Italian peninsula. This book, tentatively titled Roadside Religion: Visual Culture, Ecology, and Everyday Devotion in Renaissance Italy, uncovers how wayside niches, tabernacles, and shrines worked in productive dialogue with their surrounding environs to structure both quotidian and extraordinary patterns of prayer, invocation, and thanksgiving.

Qualifications

  • PhD, History of Art, University of Michigan, 2008

  • MA, Italian Renaissance Art History, Syracuse University in Florence, 2003

  • BA, Art History, Dartmouth College, 1998

Appointments

University of Essex

  • Professor of Art History, University of Essex (1/10/2021 - present)

  • Senior Lecturer of Art History, University of Essex (1/10/2017 - 30/9/2021)

  • Lecturer of Art History, University of Essex (9/2015 - 9/2017)

Other academic

  • Assistant Professor of Art History, College of Wooster (2011 - 2015)

  • Visiting Assistant Professor of Art History, Berea College (2010 - 2011)

  • Andrew W. Mellon Postdoctoral Fellow, Humanities Research Center, Rice University (2008 - 2010)

Research and professional activities

Research interests

visual hagiography

Open to supervise

charitable institutions (hospitals, confraternities)

Open to supervise

visual culture of social problems

Open to supervise

late medieval and Renaissance Italian visual culture (1300-1600)

Open to supervise

reception theory

Open to supervise

visual culture of the mendicant orders

Open to supervise

gender and sexuality

Open to supervise

medical humanities

Open to supervise

Teaching and supervision

Current teaching responsibilities

  • Ways of Seeing (AR116)

  • Art and Power (AR223)

  • Capstone - Art History / Curating / Heritage (AR382)

  • Capstone - Art History / Curating / Heritage (AR383)

  • Practical Skills for Curatorial Work (AR912)

  • Rethinking History: Approaches, Theories and Concepts (HR924)

  • Art and Nature (AR325)

  • Exhibition and Portfolio (AR952)

  • Exhibition (Joint Project) (AR953)

Previous supervision

Jacqueline Iris Maggs
Jacqueline Iris Maggs
Thesis title: The Horror of Life and the Ecstasy of Life: Édouard Manet's Preoccupation with Religion, Death and Mortality
Degree subject: Art History and Theory
Degree type: Doctor of Philosophy
Awarded date: 27/2/2023
Alison Carol Barker
Alison Carol Barker
Thesis title: Dissolving the Alps: The Visual Dissemination of Saint George, 1400 to 1550
Degree subject: Art History and Theory
Degree type: Doctor of Philosophy
Awarded date: 16/3/2022
Shelley Lianne Garland
Shelley Lianne Garland
Thesis title: “He Must Look Upon It All as His Child – and a Most Promising One It Is.” Thomas, 2nd Earl De Grey and the Creation of His House At Wrest Park.
Degree subject: Art History and Theory
Degree type: Doctor of Philosophy
Awarded date: 9/6/2021
Denis Bil'O
Denis Bil'O
Thesis title: Sculpture in Site: Examining the Relationship Between Sculpture and Site in the Principle Works of Giambologna.
Degree subject: Art History and Theory
Degree type: Master of Arts (by Dissertation)
Awarded date: 19/8/2019
Patricia Louise Lewy
Patricia Louise Lewy
Thesis title: Painting History in Mid-Century America: A Case Study of Friedel Dzuba's Mature Style.
Degree subject: Art History and Theory
Degree type: Doctor of Philosophy
Awarded date: 9/10/2018

Publications

Journal articles (8)

Presciutti, DB., (2024). Review of Peter W. Sposato, Forged in the Shadow of Mars: Charity and Violence in Late Medieval Florence (Cornell University Press, 2022). Speculum: a journal of Medieval studies. 99 (1), 283-285

Presciutti, DB., (2019). Miracles in Monochrome: Grisaille in Visual Hagiography. Art History. 42 (5), 862-891

Presciutti, DB., (2015). Domesticating Cannibalism: Visual Rhetorics of Madness and Maternal Infanticide in Fifteenth-Century Italy. Journal of Medieval and Early Modern Studies. 45 (1), 159-195

Presciutti, DB., (2015). A most beautiful brawl: Beholding splendor and carnage in renaissance Italy. Artibus et Historiae. 72 (72), 63-83

Presciutti, DB., (2011). Review of Nuns and Nunneries in Renaissance Florence by Sharon Strocchia. EARLY MODERN WOMEN-AN INTERDISCIPLINARY JOURNAL. 6, 273-276

Presciutti, DB., (2011). Dead Infants, Cruel Mothers, and Heroic Popes: The Visual Rhetoric of Foundling Care at the Hospital of Santo Spirito, Rome. Renaissance Quarterly. 64 (3), 752-799

Presciutti, DB., (2010). Carità e potere:representing the Medici grand dukes as ‘fathers of the Innocenti’. Renaissance Studies. 24 (2), 234-259

Presciutti, DB., (2008). Review of Civic Christianity in Renaissance Italy: The Hospital of Treviso, 1400-1530 by David Michael D'Andrea. Medieval Feminist Forum. 44 (2), 149-152

Books (3)

Presciutti, DB., (2023). Saints, Miracles, and Social Problems in Italian Renaissance Art. Cambridge University Press. 1009300806. 9781009300834

Presciutti, DB., (2017). Space, Place and Motion, Locating Confraternities in the Late Medieval and Early Modern City. Brill. 9789004292970

Presciutti, DB., (2015). Visual cultures of foundling care in renaissance Italy. Routledge. 147245765X. 978-1472457653

Book chapters (5)

Presciutti, DB., (2024). Signs of Belonging: Identifying Female Foundlings and Orphans in Early Modern Europe. In: Lost and Found: Locating Foundlings in the Early Modern World. Editors: Terpstra, N., . Officina Editore/Harvard University Press. 215- 248. 0674296168. 9780674296169

Presciutti, DB., (2020). The Friar as medico: Picturing Leprosy, Institutional Care, and Franciscan Virtues in La Franceschina. In: Representing Infirmity: Diseased Bodies in Renaissance Italy. Editors: Henderson, J., Jacobs, F. and Nelson, JK., . Routledge. 93- 116. 0367470209. 978-0367470203

Presciutti, DB., (2019). Sleeping with the Enemy: Infertility and Wife Murder in a Miracle of St. Peter Martyr. In: Lived Religion and Everyday Life in Early Modern Hagiographic Material. Editors: Kuuliala, J., Peake, R-M. and Räisänen-Schröder, P., . Palgrave MacMillan. 127- 151. 3030155536. 9783030155537

Presciutti, DB., (2017). Introduction: Confraternal Spaces. In: Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City. Editors: Presciutti, DB., . Brill. 1- 18. 9789004292970

Presciutti, DB., (2013). Picturing institutional wet-nursing in Medicean Siena. In: Medieval and Renaissance Lactations: Images, Rhetorics, Practices. Editors: Sperling, JG., . Routledge. 129- 146. 9781409448600

Other (1)

Presciutti, DB., (2022).Art and Architecture of Foundling Hospitals and Orphanages. Routledge Resources Online - The Renaissance World.,Routledge

Grants and funding

2017

The Saint as Social Worker: Visual Hagiography and Social Problems in Renaissance Italy (Fellowship)

Villa I Tatti: The Harvard University Center for Italian Renaissance Studies

Contact

dbpres@essex.ac.uk

Location:

6.122, Colchester Campus