Dr Mary Mazzilli
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Email
m.mazzilli@essex.ac.uk -
Telephone
+44 (0) 1206 873152
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Location
5NW.4.4C, Colchester Campus
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Academic support hours
Tuesday 14-15
Profile
Biography
Before joining the Department of Literature, Film and Theatre Studies at Essex in 2016, Mary was a Lecturer in Theatre Theory and Contemporary Practice at Goldsmiths in the Theatre and Performance Department (2015-2016). In 2012-2014, she was a post-doctoral fellow at Nanyang Technological University - Singapore in the School of Humanities and Social Sciences. For several years, she has been a Research Associate at Soas, University of London where she lectured in Chinese Theatre and Cinema. In addition to theatre, she has a strong expertise in Literature (World, Comparative Literature and Womens writing): she taught Womens Writing and Gender at Goldsmiths, University of London in the department of English and Comparative Literature. Her monograph Gao Xingjians Post-Exile Plays: Transnationalism and Postdramatic Theatre is published with Bloomsbury Methuen Drama and has attracted good reviews. She has co-edited and contributed to Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the Ethics of Failure (Bridge21, 2015). She holds a PhD from Soas, University of London, for her thesis titled Gao Xingjian vs Martin Crimp in between Modernism and Postmodernism, and a MSc in Chinese Modern Literature from University of Edinburgh. As a playwright, her plays have been widely staged in both UK (Southwark Playhouse, Old Red Lion etc.) and China. Her play 'Priority Seating' ( a play about contemporary migration in UK) which had a staged reading at the Mercury Theatre in 2017 was funded by Arts Council England and Impact Acceleration Account University of Essex. As a dramaturge, assistant-director and producer, she is the founder and Creative Director of Lumenis Theatre Company, which was awarded in 2011 the Arts Council England Grant for the Arts for the production of Roy Williams 'There is only one Wayne Lee and her play Magical Chairs'. She writes and has published poetry and her first novel (co-written with Addolorata Cagnazzo), Riflessioni di un viaggio was published in Italian, in 2007. Mary is also a theatre and book critic: she has contributed to Times Literary Supplement, Art Desk and Theatre Voice and regularly writes for British Theatre Guide and The Conversation. She would particularly welcome PhD applications in the following areas: World Theatre and Literature ( in particular but not limited to Chinese and East-Asian literature and theatre) ; Comparative Drama and Literature; Playwriting and PaR projects with a focus on intercultural and global performance practices; Post-war British theatre and drama; the Absurd; Multiculturalism and BAME theatre; Postdramatic Theatre; Modernism/Postmodernism; Women's writing; Transnational Chinese Cinema; and Gender.
Qualifications
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BA Hons. In English Literature and Chinese (University of Westminster)
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Msc in Chinese Modern Literature (University of Edinburgh)
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PhD in Chinese and Theatre ( SOAS, University of London)
Appointments
University of Essex
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MA Director, University of Essex (1/1/2019 - 10/2/2020)
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Co-director Centre of Theatre Research, University of Essex, University of Essex (1/9/2019 - present)
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Director of Impact, University of Essex, University of Essex (1/9/2019 - present)
Other academic
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Acting Deputy Dean Postgraduate Research Training, University of Essex (1/7/2022 - 1/2/2023)
Research and professional activities
Research interests
Chinese and East-Asian Theatre
World and Global Theatres and Literatures
Postdramatic Theatres; Modernism/Postmodernism in drama and literature
Post-war British theatre and theatres in Europe
Contemporary Theatre Practices (directing and producing)
Dramaturgy and Playwriting (PaR and Creative practices)
Comparative Drama and Literature
Gender Studies and Women's writing
Current research
Shakespeare and Tang Xianzu
Digital and Intermedial Theatre In Asia
Embodiment and Performance
Transnationalism and Theatre
Adaptation and translation: dramaturgy of exile
Migration, playwriting and verbatim theatre
Priority Seating, new play staged at Mercury Theatre in November 2017 funded by IIA Acceleration account and Arts Council England. This is an on-going research and writing project exploring interaction between migration communities in UK.
Conferences and presentations
Chair of Book launch
Invited presentation, Thinking Home edited volume Book Launch, Lakeside theatre, Colchester, United Kingdom, 12/3/2019
Chair of a panel
Invited presentation, Ariadne, the University of Essex and the Mercury Theatre supported by the AHRC present International Festival of Women Making Theatre to Inspire Change, Colchester, United Kingdom, 24/6/2017
Chair of Panel
Invited presentation, TAMBURLAINE, Yellow Earth, Colchester, United Kingdom, 19/4/2017
Chair of Exploring Shakespeare and Tang Xianzu through Yue Opera at China Exchange, London (July 2016)
London, United Kingdom, 2016
London Bookfair event organised by British CouncilOn the Shoulders of Giants: Cervantes, Shakespeare and Tang Xianzu (April 2016)
London, United Kingdom, 2016
'Transnational Chinese Stardom: Desiring the Bodies of Ruan Lingyu and Linda Lin Dai' at King's College (14 February 2016)
London, United Kingdom, 2016
Is Gao Xingjian a feminist or a misogynist writer? at Chinese Studies Centre, University of Sydney (18 November 2013)
Sydney, Australia, 2013
Global Liminal and Meta-urban Spaces in Asian Cities: Transcultural Performative Experiences of Architectural and Urban Spaces through the Analysis of Guerrilla Performances and Digital Literature from Shenzhenat International Institute for Area Studies (IIAS) at Leiden University (24 September 2013)
Leiden, Netherlands, 2013
Chinese female stars on screen and the history of Sinophone cinema: an exploration of transnational embodiment and desire. At EAI- East-Asian Institute at National University of Singapore (NUS) (31 May 2013).
Singapore, Singapore, 2013
Teaching and supervision
Current teaching responsibilities
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Origins and Transformations in Literature and Drama (LT111)
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Introduction to European Literature (LT171)
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Law and Literature (LT394)
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Crossing the Boundaries: Literature and Translation in a Global Context (LT962)
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Introduction to Theatre Studies (TH141)
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Theatre and Performance Makers (TH241)
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Theatre and Human Rights (TH343)
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Independent Practical Theatre Project (TH831)
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Global Encounters in Theatre and Film (TH211)
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Dissertation: MA Theatre Practice (TH981)
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Contemporary Theatre-Making (TH983)
Previous supervision
Degree subject: Creative Writing
Degree type: Doctor of Philosophy
Awarded date: 2/10/2024
Degree subject: Theatre Studies
Degree type: Master of Arts (by Dissertation)
Awarded date: 6/3/2023
Degree subject: Theatre Studies (Playwriting)
Degree type: Doctor of Philosophy
Awarded date: 15/6/2020
Degree subject: Theatre Studies
Degree type: Master of Arts (by Dissertation)
Awarded date: 17/6/2019
Publications
Journal articles (4)
Mazzilli, M. and Lax, A., ’Collaboration practices between the Humanities and the Sciences using ‘lived experiences’ as an approach for investigating mental health. Integro
Mazzilli, M., (2019). Intercultural and cross-cultural encounters during the quatercentenary of Tang Xianzu and Shakespeare. Asian Theatre Journal. 36 (2), 281-301
Mazzilli, M., (2018). GAO XINGJIAN’S SEARCH FOR A SCENIC DRAMATURGY AND CINEMATIC LANGUAGE IN SONG OF THE NIGHT
Mazzilli, M., (2015). Gender in Gao Xingjian's Between Life and Death: The Notion of Originary Self and the Use of Tripartition. Frontiers of Literary Studies in China. 9 (3), 369-394
Books (3)
Mazzilli, M., Bergen-Aurand, B. and Wai-Siam, H., (2015). Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications. 978-1626430105
Mazzilli, M., (2015). Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre. Methuen Drama. 9781472591609
Mazzilli, M., (2015). Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre
Book chapters (5)
Mazzilli, M., (2023). Chapter thirty-two: Exophony, translation, and transnationalism in Gao Xingjian's French/Chinese plays, Mary Mazzilli. In: The Bloomsbury Handbook of Modern Chinese Literature in Translation. Editors: Bruno, C., Klein, L. and Song, C., . Bloomsbury. 409- 422. 1350215309. 9781350215306
Mazzilli, M., (2022). Transnational Neighbourhood and Theatrical Practices- The Concept of Home, Negotiating Strangeness and Familiarity, and the Experience of Migrant Communities in North Essex. In: Exploring the Transnational Neighbourhood Perspectives on Community-Building, Identity and Belonging. Editors: Ehrig, S., Jung, B. and Shaffer, G., . Leuven University Press. 292- 315. 9462703485. 9789462703483
Mazzilli, M., (2021). Race, Occidentalism/Orientalism and Sino-centrism in Contemporary Chinese Theatre. In: The Palgrave Handbook of Theatre and Race. Editors: Morosetti, T. and Okagbue, O., . Springer Nature. 465- 486. 9783030439576
Mazzilli, M., (2018). Gao Xingjian’s Search for a Scenic Dramaturgy and Cinematic Language in Song of the Night. In: Gao Xingjian and Transmedia Aesthetics. Editors: Lee, M. and Liu, J., . Cambria Sinophone World. 115- 130. 1604979461. 9781604979466
Mazzilli, M., (2015). Desiring the Bodies of Ruan Lingyu and Linda Lin Dai. In: Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Editors: Mazzilli, M., Bergen-Aurand, B. and Wai-Siam, H., . Bridge21 Publications. 978-1626430105
Media (2)
Mazzilli, M., Rondin[a]e. Video
Mazzilli, M., Bright Azzurro Sea a short film/digital play premiered at the Mercury Online Festival August 2020. Video
Other (3)
Mazzilli, M., Priority Seating
Mazzilli, M., (2023).The world will change quicker and quicker so keep awake
Mazzilli, M. and Mazzilli, M., (2023).Lightstreams
Grants and funding
2022
Building Research Community for Operationalising Intersectionality to reduce health disparities in mental health
Arts and Humanities Research Council
ECC Women's Safety Evaluation: Restorative Practice Applied Theatre project
Essex County Council
2021
First generation migrants as freelance creative workers: creating a transnational local network, and improving the social and economic situation of creative labour in the South-East
University of Essex (ESRC IAA)
2017
The human side of migration: unheard stories from migrant communities in Colchester
University of Essex
Contact
Academic support hours:
Tuesday 14-15