Event

The “Contentification” of the Web: Automating (Cultural) Collapse

AI Rights and Wrongs Series

  • Thu 3 Apr 25

    19:00 - 20:00

  • Off Campus

    Royal George, 85A Tanners Hill, Deptford

  • Event speaker

    Scott Wark, Goldsmiths, University of London

  • Event type

    Lectures, talks and seminars

  • Event organiser

    Centre for Commons Organising Values Equalities and Resilience

  • Contact details

    COVER research centre

Please note that the date of this talk has been moved to Thursday 3 April 2025.

Generative Artificial Intelligence has been described as many different shades of disruptive. While scholars and commentators have noted its potential impacts on a range of industries and professions, this paper will focus on what its rollout might mean for digital culture more generally. Its main claim is that GenAI doesn't represent a break with a Web 2.0 culture organised around platforms – and conventionally defined by content made by users. Instead, it argues that GenAI represents the latest in a series of technical developments designed to automate the production of media content.

After proposing that we analyse GenAI systems using a rubric of “contentification” – the production of contentless content for the purposes of keeping media circulating and attention captured - this paper offers a pair of speculative propositions about what GenAI might mean for digital culture more broadly. First, if we understand the web as a basic infrastructure of our social and cultural lives, “contentification” threatens to drown out users by filling the web with noise. Second, if this content drives users off the web, and undermines platforms' attention-based business models, what GenAI arguably threatens is the web itself.

While the web might be a proverbial dumpster fire of toxic content, radicalisation, discrimination, and hate, it has nevertheless become a fundamental social and cultural infrastructure. What's worse than the web and the digital culture we have is having no web at all.

Speaker

Scott Wark researches digital culture and the intersection of race and digital technology. His research combines an interest in theoretical approaches to media and culture with analyses of digital cultural phenomena, media infrastructures, data processing, artificial intelligence, and techniques of racialisation. He is co-editor of Figure: Concept and Method (with Celia Lury and William Viney; Palgrave, 2022) and “Pharmacologies of Media,” a special issue of Media Theory.

Location

This event is being held in London at the Royal George, 85A Tanners Hill, Deptford, SE8 4QD.