We’ve established a visual style that is designed to grab attention.
Bold, clear, and direct, like our personality.
It’s reflected in our vibrant colour palette and punchy font. We use blocks and squares in our graphics – paying homage to our architectural heritage, reflected in our logo.
Our Essex spirit is all about authenticity and real-world grit; this is a place where change happens and we express this in our visual style. Using vibrant, bold, impactful real images of Essex buildings and our Essex people to reflect the authentic Essex stories.
And because they see us as a whole, not individual departments, our approach is consistent, unified and simple.
We are united in one voice.
We are always recognisable.
We are Essex.
We’re bold, vibrant, and straight to the point, so we express this in our visual style as a key part of our identity.
Our visual style is based on a simple but flexible underlying block-like grid.
Our grid based system underpins all of our designs and is always the start-point of our creative design process.
Please do not attempt to recreate grids.
Each grid system is based on the original size of our logo for each application. The table below outlines our most commonly used sizes.
Application size | Logo size | Grid structure | Row / column gutters | Page margins |
A3 (portrait) | 28mm (h) | 12 (w) x 16 (h) | 3mm | 11.2mm |
A4 (portrait) | 20mm (h) | 12 (w) x 16 (h) | 2mm | 8mm |
A5/DL (portrait) | 15mm (h) | 12 (w) x 16 (h) | 1.5mm | 6mm |
85x55mm (landscape) | 12mm (h) | 6 (w) x10 (h) | 1mm | 4.8mm |
Our logo requires size limits and safe areas to guard it from being poorly reproduced, unrecognisable, illegible, or obscured.
Take a look at our University logo page to find out;
Our colour palette is bold and vibrant. Our palette of contrasting colours brings our personality to life.
Find out more on using our colour palette.
Akzidenz Grotesk is our font.
As we always ensure our messaging gets straight to the point, it’s important our typeface reflects this no-nonsense approach.
Find out more about using our font.
Spacing is set quite tightly; as a guide, Akzidenz body copy is set 9pt type on 11pt.
Headings are set with a +1pt leading. This will vary depending on the ascenders and descenders, so care should be taken that they don’t hit each other or look too widely spaced. As a guide, some of the applications in these guidelines are 34pt type on 35pt leading or 50pt type on 51pt leading.
Bullet points are square. Square options can be set as standard in Microsoft packages. Where this is not available, they can be set using a lower case 'n' in Wingdings.
A guide has been developed to help create the correct bullet points: How to create bullet points in Word 2010 (.docx)
Numbering should not be indented and in-line with the body copy.
We use blocks and squares in our graphics – paying homage to our architectural heritage, reflected in our logo.
This means that Essex does not use curves, circles or rounded edges in any expression of our visual style. And to maintain our real-world and authentic approach, we don’t use icons, illustration, clipart, or AI generated elements.
Blocks, layers, brackets, and lines are examples of how you can apply graphics to your content.
Brackets are taken from our outlined block and logo squares.
An animated device can be used to show that a piece of video has audio to listen to, for example a post on LinkedIn to promote an episode of a Podcast. [3]
Our visual style is impactful because it focuses on being real and authentic, so please avoid using icons or illustrations.
Our photography helps tell the Essex story – to showcase our diverse global community, creative research and iconic buildings. Photography should express our personality and Essex spirit – bold and vibrant.
The following quick tips should help you select the right images:
More information on our image library and how to choose images can be found on our photography style page.
Our visual style also applies to motion. Videos should look like Essex through their graphic styling, but should also feel like Essex in the way they move.
We are bold, straightforward and create impact, so any movement needs to reflect this.
When adding motion, we have some simple principles to follow for keeping things consistent:
Should move in one of four directions: up, down, left and right, which is reflective of the Essex logo. They shouldn’t move along diagonals. Scaling up and down can also be used, but objects should not be rotated.
By giving all our content and communications a consistent style and tone with the core University identity we:
The simplicity of our ‘one University’ approach provides a consistent perception and we become clearly identifiable. Greater recognition boosts our profile and expands our reach to more students, more investors, more partnership opportunities.
Consistency of style is about trust. A lack of consistency undermines trust. So having a consistent identity is really quite important.
Every time the visual elements of the brand are used is an opportunity to tell part of the Essex story, to whichever stakeholder you are targeting.
Someone who’s an undergraduate one year, may be a postgraduate in a few years time, may even go on to be a parent. We have businesses, research partners, all sorts of people accessing the University through different touchpoints: social, web, email, posters, digital screens, video, adverts etc. And we want to give a consistent style over a lifetime of connections with the University.
To create a seamless experience, it’s important that all our content reflects our visual style, with a consistent look and feel when clicking through to our social platforms or our website, or when they see other communications from Essex.